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Colors

From a design point of view, colors and textures are the backbone of what works in a space and what doesn’t. Backlight Images™ have both texture and color options to fit any design need. Backlight Images™ utilize 13 different colors that encompass the full color spectrum. These colors, available only from DuPont™ Corian®, were chosen because of their warm hues and inviting temperatures. Employing the right color of Corian® can be just as impactful as the actual 3-D relief. The following shows the different colors available and which design style is typically used with each color.

Seagrass

Very effective for 3-D environmental sports and nature imaging such as athletic complexes, golf courses, or parks and recreational images.
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Bisque

This color is also excellent for sepia-toned images, generally less than 100 years old.
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Peach

This color provides a skin tone effect but softer than Tea Rose.
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Buttercream

This color has a subtle yellow tinge well suited for bright sunlit images such as beach scenes. There is a deep warmth to this color.
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Natural Pearl

This color is also excellent for sepia-toned images, generally less than 100 years old.
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Glacier White

Creates bright black and white images with high contrast and clarity. Use Glacier White with studio film for colorizing Backlight Images™.
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Bone

Provides a golden-brown tone that is excellent for sepia-toned images 100 years old or more. Also provides a high-contrast classy look.
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Pearl Grey

This color creates an ancient stone look. Pearl Grey is excellent for pillars, archways, or images of old ruins.
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Cameo White

Provides an antique look for vintage images such as old family portraits.
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Beach Glass

Great color for aquariums, aquatic parks, yacht clubs, or other marine applications.
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Tea Rose

This is a softer, more feminine look and provides excellent skin tones.
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Vanilla

Creates an effect similar to bone with a lighter shade and high contrast.
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Venaro White
Uses the same base white color as Glacier White, however it also has slightly denser veining running throughout it. When illuminated, these veins appear slightly darker than the base white color. The veining also gives the impression of old world marble or onyx and is appropriate with the use of vector artwork and not raster photographs.
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